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Model of the first Bauhaus residential building
Monument to the March Dead
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Model for the Monument to the March Dead at Weimar's main cemetery, plaster cast, finished, distempered, 1921, Walter Gropius, (1885-1969).
Textile Design, 1925, Magda Langerstraß-Uhlig (1888-1965); Colour study, 1925, Magda Langenstraß Uhlig; Colour triangle, Magda Langenstraß.
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Bookbinding, Master of form: Georg Muche (1921-1921), Paul Klee (1921-1922), Lothar Schreyer (1922), Master of crafts: Otto Dorfner (1919-1922).
Toy buildings, 1926, Eberhard Schrammen (1886-1943). hardwood, softwood, sawed, partially carved, painted; Toy buildings, 1923, Lyonel Feininger.
Invitation to the Kite Festival, 1921, Lothar Schreyer (1886-1966). lithograph, aquarelled; Invitation to the Kite Festival, 1921, Oksar Schlemmer (1888-1943), lithograph, aquarelled; Bauhaus Kite Festival in Weimar, 1921, Anonymous, reproduction; Little Starman, 1st place in design competition for a Bauhaus signet, Karl Peter Röhl (1899-1975), pen drawing in black ink over graphite sketch, coloured marker.
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Study of matter, preliminary course by Johannes Itten, reconstruction, ca.1920, 2009 (production), Nikolai Wassiljew (original), Schmidt's architectural model, Hamburg (production), iron, oak.
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Veneration of Kings by Master Francke, from the almanac "Utopia, Documents of Reality, I/II" 1921, Johannes Itten (1888-1967), Buno Adler (1885-1958), lithograph, collage, colour lithograph.
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Man, from the portfolio "10 Original Lithographs," sheet 6, 1919, Johannes Itten (1888-1967), lithograph.
Study of walking nude, preliminary course by Johannes Itten, 1919, Friedl Dicker (1898-1944), drawing, charcoal; Rhythmic exercise, preliminary course by Johannes Itten, 1929, Wemer Graeff (1901-1978), brush drawing in black ink, graphite; Study of squatting figure, preliminary course by Johannes Itten, 1919, Friedl Dicker (1898-1944), drawing, charcaol.
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Town hall of Zottelstedt 2, Lyonel Feininger, woodcut
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Tile for an oven in the potter's house in Dornburg with portrait of Otto Lindig, 1921, Gerhard Marcks (1889-1981), stoneware, moulded, shaped etched; Pot with handle, 1922, décor: Gerhard Marcks (1889-1981), form: Max Krehan (1875-1925), stoneware, thrown, painted, glazed; Jug, 1923, décor: Gerhard Marcks, form: Max Krehan, stoneware, thrown, joined, painted, glazed.
Two Lindig children, 1924, anonymous, reproduction; Herbert Hübner in the ceramic workshop, 1924, anonymous, reproduction; Herbert Hübner in front of the kiln in the ceramic workshop, 1924, anonymous, reproduction.
Floating sculpture (illusionary), preliminary course by László Moholy-Nagy, reconstruction, 1924, original: Korona Krause (1906-1973), production: Bauhaus-University Weimar, softwood, spring steel.
Montage I, 1924, Marianne Brandt (1893-1993), collage, photo montage; Spatial superimposition, preliminary course by Lázlo Moholy-Nagy, 1928, Walter Köppe (1906-1973), spray technique with black ink and stencils.
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Interior design of a workroom for Moholy-Nagy, sheet II, 1925, Peter Keler (1898-1982), gouache over graphite skecth; Postcard with a view of the Weimar Bauhaus, overdrawed, Theo van Doesburg (1883-1951), ink over photography.
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Colouring book for children 1, designs, 1927, Alma Siedhoff-Buscher (1899-1944), gouache over graphite sketch; Colouring book for children 2, designs, 1927, Alma Siedhoff-Buscher (1899-1944), gouache over graphite sketch.
Children's room for the model house Am Horn, design, 1923, Alma Siedhoff-Buscher (1899-1944). drawing, graphite, balck ink, coloured with aquarelle and gouache.
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Washstand from the apartment of Koloman Moser, Vienna, 1902, Koloman Moser (1868-1918), iron and brass, nickel-plated, marble, ceramic.
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