Images
Panoramas
VR Tour
Historical Images and Plans
Notes
Date
Begun ca. 1170
Plan
A three aisled basilica with a long nave intersected by a projecting aisled transept terminated east by a hemicycle which is surrounded by ambulatory and five radiating chapels; the axial chapel deeper than the others. To the west a harmonius facade with three portals and two towers projects slightly more deeply than the nave hinting at the idea of a western transept.
Elevation
Three-storey elevation of an arcade supported by pilier cantonné, a blind triforium, tall clerestory with bar tracery. The superstructure is supported by substantial flying buttresses that resemble those at Soissons. In the chevet the central colonette is link in the triforium and the clerestory. In the nave that same colonette is thickened to reflect that linkage.
Chronology
The mid-twelfth century cathedral built by Archbishop Samson was badly damaged in a fire in 1210; the existing church was begun soon afterwards The chevet was completed by 1241 with work progressing east-to-west down the nave. Dating of the west frontispiece is controversial - some scholars believing that working only began towards 1250, however preparation for the columns figures clearly precede this date suggesting a date in the 1220s.
Sculptural Program
The west façade of Reims cathedral has three portals united under large sculpted gables that recall the façade of Amiens. Reims also adopts the unusual feature of replacing sculpted tympana with glazed windows. The tympanum sculptures are relocated to the gables above the voussoirs. The south portal has an image of Christ at the Last Judgment in the gable, flanked by angels carrying instruments of the Passion. The five bands of voussoirs below have Apocalyptic scenes, and the lintel shows the baptism of Saint Paul. Half of the jamb figures are of an earlier date, and were most likely intended for a different portal that was never executed. The figures on the right are probably the earliest sculpture from the program that began after the great fire of 1210. From the inside out they depict Simeon, John the Baptist, Isaiah, Moses, Abraham, and Aaron. They are distinctly similar to jamb sculptures of the central portal on the north transept of Chartres Cathedral, with their elongated poses and deeply cut fluid drapery that mark the start of the classicizing trend of the mid-thirteenth century. The left jamb figures are unidentified except for a figure of Pope Calixtus, and are from a later phase of construction corresponding to the gable sculpture. The outer buttress also contains a gable with a sculpted, tympanum-like relief depicting the Preaching of St. Paul.
The north portal of the west façade has a Crucifixion scene in the gable. The five bands of voussoirs depict scenes from the Life and Passion of Christ. The lintel shows the Conversion of Saul. The jamb figures are mostly unidentified. The man flanked by two angels on the left is thought to be St. Dionysius, and the woman on the right is thought to be St. Helena. These figures are all in the graceful, fluid style of later Reims sculpture, sometimes referred to as the "beautiful" style. The outer buttress relief depicts Helena's discovery of the True Cross.
The central portal shows a Coronation of the Virgin in the gable. The five bands of voussoirs show a Tree of Jesse and angels. The lintel is not sculpted but displays an inscription. The Virgin and Child are shown on the trumeau. Here the jamb sculptures also date from a variety of eras, and are arranged in pairs, similar to the west façade at Amiens. The right side shows the Annunciation and Visitation, while the left shows the Presentation in the Temple with Joseph and Mary's maidservant. The Visitation pair, with their heavy, crinkled drapery are from an earlier phase of construction and correspond more with the highly classicized figures of the north transept jambs. The figure of St. Elizabeth is especially notable for her individualized expression which shows a weariness and age that indicates a renewed interest in observation of facial types in nature.
Other than the few earlier sculptures that were reused for the façade, most of the work dates from between 1255 and 1274. The style of the figures, exemplified in the Angel of the Annunciation on the central portal, is characterized by deep swaths of drapery, slender and graceful bodies that elegantly bend and sway, and sweet, serene faces that almost seem to smile. Such a large-scale sculptural program must have attracted masons from across the region, and specific links can be made with workshops in Amiens, and those in Paris working on buildings like the Sainte-Chapelle and St. Germain-des-Prés. The interior west wall of the nave, with its many registers of figures delineated by trilobe-arched niches, were installed at the same time as the exterior program, and includes such stories as scenes from the Life of the Virgin, and the Life and Martyrdom of John the Baptist and St. Stephen.
The north transept also includes three sculpted portals. The west portal, the so-called Porte romane, contains spoliated remains from an earlier twelfth-century sculptural program, probably originally set in a wall tomb on the interior of the old church. The odd isolation of the Sedes Sapientiae in the tympanum, and the seemingly shrunken size of the single band of voussoirs showing angels, indicate strongly that these sculptures were not intended for this location. The severe, elongated face of the Virgin and the tight, damp drapery folds foreshadow work at Laon and the transepts of Chartres.
The east portal shows scenes from the Last Judgment. The lowest register shows saved souls at the bosom of Abraham on the viewer's left, with damned souls being led in chains by fearsome demons to a cauldron heated by angry flames on the right. The second register again shows the elect in Heaven on the left, and more hellish tortures of the damned on the right. In the center, the Archangel Michael holds the scales that will weigh the souls. The next two registers show the raising of the dead from their tombs. The tympanum shows Christ in Majesty at the Last Judgment, flanked by the Virgin Mary and St. John the Baptist, as well as angels carrying the instruments of the Passion. The three bands of voussoirs show angels, church figures, and the Wise and Foolish Virgins. The jamb sculptures are set at a 90 degree angle to the doorway, due to issues of space on the façade. They depict six Apostles, whose thickly crinkled and bunched drapery and wildly curling hair and beards strongly indicate that the sculptors were looking to antique models.
The central portal focuses on the deeds and miracles of local saints. The lowest lintel depicts St. Remigius performing the coronation of Clovis, first Frankish king, on the right, and the martyrdom of St. Nicaise on the left. The second register shows miracles from the life of St. Remigius. The third register shows the story of Job on the dung heap, and the fourth register shows more of St. Remigius' miracles. In the tympanum, Christ sits in majesty flanked by two kneeling angels. The three bands of voussoirs depict a mixture of priests, popes, and bishops. The trumeau figure is that of St. Calixtus, whose relics were supposedly preserved in the cathedral. The jambs show, from left to right, an angel, St. Nicaise, St. Eutropia (Nicaise's sister), an unidentified bearded male saint, St. Remigius, and another angel. The jamb figures are not quite as dramatically classicized as their counterparts on the east portal, however the deeply cut, fluid draperies are beginning to be pronounced. The inclusion of local saints in such a large and dramatic program was most likely an attempt to highlight the prominence of the many miracles associated with these men. In particular, the inclusion of the coronation of Clovis might have been commissioned just before Louis IX was crowned in Reims, at a time when Reims was in competition with Sens and St. Denis over the right of coronations. It can be seen as an effort to assert Reims' historical and divine right to perform this powerful task. This type of monumental portal to local saints can also be found elsewhere, notably at Amiens and at St. Denis.
The sculptures of the north transept were most likely executed, or in the case of the Porte romane, set in place between the fire of 1210 and the conflict between the cathedral and the city which halted all construction in 1233. It would have originally faced the canon's cloister, indicating that the program was chosen by the canons. This also means that the portals would not have initially been visible as a unit, which might account for the lack of coherent program between the three.
Significance
Reims was the seat of an archbishop and the principal city of the province; the city was was also an economic hub and seat of a commune. There was a history of some times violent between clergy and townsfolk leading to riots. In 1232 such a uprising took place. In the 1230's struggle developed also between the secular clergy and the Kings of France. Special architectural details reflect a powerful region with its forms resembling the Soissons, however the pilier cantonné appear to respond to Chartres. Particular to Reims is the sumptuous articulation. This famous site was where legends states that Saint Remigius baptized the first king of France, King Clovis, in the year 511. Subsequently the cathedral became the site of royal coronations. This is an important Roman city with an oval wall in which Roman remains were evident like the Port du Mars and were also influential in Gothic architecture.
Location
Bibliography
"The Front of Rheims Cathedral." Portfolio 15 (1884): 16-17."Reims Cathedral." British architect 57 (1902): pl. fol. 166."Reims and Soissons, France, 1914-1918." http:lcweb2.loc.cphquery.html
Note: Search for images in Prints "Reims Cathedral : The Glory of Gothic Architecture." Architects' journal 40 (1914): 220-21."Rheims Cathedral Restoration Fund." Royal Institute of British Architects Journal 27 (1920): 498."Rheims Cathedral and Its Reconstruction." American architect 120 (1921): 67.
ÉTudes D'art MéDiéVal Offertes à Louis Grodecki RéUnies Par Sumner Mc K. Crosby ... Et Al.. Paris: Ophrys, 1981.
Abou-El-Haj, Barbara. "Building and Decorating at Reims and Amiens." In Studien Zur Geschichte Der Europäischen Skulptur Im 12.. Jahrhundert, p. 763-76. Frankfurt am Main: Liebieghaus, 1996.
-- -- -- . "The Urban Setting for Late Medieval Church Building: Reims and Its Cathedral between 1210 and 1240." Art History XI, no. 1 (1988): 17-41.
-- -- -- . "Ritual, Image, and Subordination in Thirteenth-Century Reims." In World Art : Themes of Unity in Diversity, pp. 653-64. University Park, PA: ennsylvania State University Press, 1989.
-- -- -- . "Program and Power in the Glass of Reims." In Radical Art History: Internationale Anthologie, edited by Wolfgang Kersten, ed. Zurich: Zip, 1997.
Adam, Paul. Reims Dévastée. Paris,: F. Alcan, 1920.
Adams, Roger J. "Isaiah or Jacob? The Iconographic Question on the Coronation Portals of Senlis, Chartres and Reims." Gesta XXIII, no. 2 (1984): 119-30.
André, Michel. ""Note Sur La Nettoyage Du Portail Central De La Cathédrale De Reims"." Monuments historiques de la France N S 13, no. 3 (1967): 40-59.
Antony-Thouret, Pierre. Pour Qui N'a Pas Vu Reims Au Sortir De L'étreinte Allemande (Octobre 1918) : La Cathédrale, La Ville. Paris: Chez L'Auteur, 1920.
Antony-Thouret, Pierre, and Société des amis de la Cathédrale de Reims. Reims Au Lendemain De La Guerre; La Cathédrale Mutilée, La Ville Dévastée. Paris,: J. Budry, 1927.
Aubert, Marcel. "La Restauration De La Façade De La Cathédrale De Reims." Revue des beaux-arts de France, no. 9 (1943): 175-80.
-- -- -- . "Les Architectes De La Cathédrale De Reims." Bulletin Monumental (1956): 123-25.
Balcon, Sylvie. Mythes Et Réalités De La Cathédrale De Reims De 1825 À 1975. Paris: Somogy, 2001.
Beaulieu, Michele. "L'apocalypse Dans La Sculpture Monumentale Française Du Moyen Age." In Bulletin De La Société Nationale Des Antiquaires De France 2000, P 196-197, 2000.
Boiret, Yves. "Une Nouvelle Vie Pour Reims." Connaissance des arts, no. 441 (1988): 82-91.
Bottineau-Fuchs, Yves. "A Propos Du Chantier De La Cathédrale De Reims." Monuments historiques de la France, no. 6 (1977): 27-29.
Brachet, Loys. "Rheims Cathedral." AIA journal 3 (1915): 14-15.
Braive, Andrée. "La Restauration De La Cathédrale De Reims : Architecte Henri Deneux Par Andrée Et Georges Bravie." Construction moderne 54 (1939): 221-27 ; 1939 Mar. 19, 254-259.
Branner, Robert. "Jean D'orbais and the Cathedral of Reims." Art bulletin 43 (1961): n.2, 131-33.
-- -- -- . "The Labyrinth of Reims Cathedral." Society of Architectural Historians Journal 21 (1962): 18-25.
-- -- -- . "Villard De Honnecourt, Reims and the Origin of Gothic Architectural Drawing." Gazette des beaux-arts 61 (1963): 129-46.
-- -- -- . "Die Architektur Der Kathedrale Von Reims Im Dreizehnten Jahrhundert." Architectura : Zeitschrift für Geschichte der Architektur, no. 1 (1971): 15-37.
Branner, Shirley Prager, C. Edson Armi, Tania Bayard, Carl F. Barnes, Jean Bony, Paula Lieber Gerson, Kenneth W. Severens, William M. Hinkle, Wayne Craven, and Meredith P. Lillich. "Special Issue Dedicated to the Memory of Robert Branner." Society of Architectural Historians Journal 34 (1975).
Bréhier, Louis. La Cathédrale De Reims; Une Oeuvre Française. Paris,: H. Laurens, 1916.
Camille, Michael. ""Seeing and Lecturing"." In Reading Medieval Images: The Art Historian and the Object, edited by Elizabeth Sears, ed.; Thomas, Thelma K., ed. Ann Arbor: University of Michigan Press, 2002.
Cangioli, Paolo. Reims, La Cattedrale Dei Re. Novara: Istituto geografico de Agostini, 1983.
Caudron, Jean, and Louis Bréhier. Reims, Guide De La Cathédrale, La Ville, Les Environs. Reims,: P. Largeron 23 rue Carnot, 1970.
Caviness, Madeline Harrison. Sumptuous Arts at the Royal Abbeys in Reims and Braine : Ornatus Elegantiae, Varietate Stupendes. Princeton, N.J.: Princeton University Press, 1990.
Cerf, Charles. Cathédrale De Reims; Guide Du Visiteur. Reims,: Imprimerie coopérative.
Clark, William W. "Reading Reims, I." Gesta (Fort Tryon Park, NY) 39 (2000): 135-45.
Cole, Harold-David. "The Classical Masters of Reims Cathedral." PhD diss
Dissertation, Ohio State University, 1982.
Conant, Kenneth John. "A Post-War Impression of the Cathedral at Reims." Architecture 42 (1920): 257-60.
Cousin, Henrat. Histoire De Lavannes (Marne) Depuis Les Temps Les Plus Reculés Jusqu'à Nos Jours. Reims: H. Matot, 1896.
Curcio, Luis Carlos. Estudio Y Reflexiones Sobre Estructuras Medievales Y Equilibrio De La Catedral Gótica De Reims. Buenos Aires: Mac Gaul, 1968.
Davis, Michael T. "The Choir of the Cathedral of Clermont-Ferrand, the Beginning of Construction and the Work of Jean Deschamps." Journal of the Society of Architectural Historians XL, no. 3 (1981): 181-202.
Decrock, Bruno, and Patrick Demouy. Nouveaux Regards Sur La Cathédrale De Reims : Actes Du Colloque International Des 1er Et 2 Octobre 2004. Langres: D. Guéniot, 2008.
Demaison, Louis. La Cathédrale De Reims. Paris,: H. Laurens.
-- -- -- . Cathédrale De Reims. Ouvrage IllustrE De 30 HEliogravures. 3d. revue. ed. Paris,: H. Laurens, 1954.
Demouy, Patrick. Notre-Dame De Reims : La Cathédrale Royale. Paris: Centurion, 1986.
-- -- -- . Notre-Dame De Reims : Sanctuaire De La Monarchie Sacrée. Paris: Caisse nationale des monuments historiques et des sites : CNRS éditions, 1995.
-- -- -- . Genèse D'une Cathédrale : Les Archevêques De Reims Et Leur Église Aux Xie Et Xiie Siècles. Langres: Dominique Guéniot, 2005.
Demouy, Patrick, Jean-Luc Gester, Jean-François Goudesenne, Bibliothèque municipale de Reims., and Notre-Dame de Reims (Cathedral). Bibliothèque. La Maîtrise De La Cathédrale De Reims : Des Origines À Henri Hardouin, Xiiie-Xviiie Siecles. Reims: Bibliothèque Municipale ; Médiathèque de Reims, 2003.
Demouy, Patrick, Robert Neiss, William Berry, and Claude Sauvageot. Reims : La Cathédrale. Saint-Léger-Vauban: Zodiaque, 2001.
Demouy, Patrick, Robert Neiss, collab, William Berry, Bruno Chauffert-Yvart, Bruno Decrock, Sylvie Balcon, and Sauvageot. Reims, Le Ciel Et La Pierre. Saint-Léger-Vauban Zodiaque, 2000.
Deneux, Henri. Dix Ans De Fouilles Dans La Cathédrale De Reims, 1919-1930. Conférence Donée À La Société Des Amis Du Vieux Reims, Le 1er Juin 1944. Reims,: Matot-Braine, 1944.
-- -- -- . "Des Modifcations Apportées À La Cathédrale De Reims Au Cours De Sa Construction Du Xiiie Au Xve Siècle." Bulletin Monumental 106 (1948): 121-40.
Deschamps, Paul. La Cathédrale De Reims. Paris: Éditions "Tel", 1937.
Desdevises du Dezert, G. Une Cathédrale Endormie. Blois,: Grande imprimerie de Blois, 1917.
Destremau, Frederic. "L'ange De La Cathédrale De Reims Ou ''Le Sourire Retrouvé''." Bulletin de la Société de l'histoire de l'art français (1998): 309-24.
Diblik, Jean. Reims : Comment Lire Une Cathédrale. Paris: Editions d'art et d'histoire ARHIS, 1998.
Egg, Anne Laure. "Dialogue Urbi Et Orbi: Médiathèque Cathédral, Reims." Architecture intérieure Créé 308 (2003): 32-35.
Erlande-Brandenburg, Alain. "La Sanctuarisation Du Chevet." In L'architecture Gothique Au Service De La Liturgie : Colloque Organisè La Fondation Singer-Polignac Le Jeudi 24 Septembre 2002.
-- -- -- . La Cathédrale De Reims : Chef-D'oeuvre Du Gothique. Arles
Paris: Actes sud ;
Aristeas;
Cité de l'architecture et du patrimoine, 2007.
Feldmann, Hans-Christian. Bamberg Und Reims, Die Skulpturen 1220-1250 : Zur Entwicklung Von Stil Und Bedeutung Der Skulpturen in Dem Unter Bischof Ekbert (1203-1237) Errichteten Neubau Des Bamberger Doms Unter Besonderer Berücksichtigung Der Skulpturen an Querhaus Und Westfassade Der Kathedrale Von Reims. Ammersbek bei Hamburg: Verlag an der Lottbek, 1992.
Frisch, Teresa G. "The Twelve Choir Statues of the Cathedral at Reims." Art bulletin 42 (1960): n.1, 1-24.
Gart de Lafontaine, H. P. "The Restoration of Reims Cathedral." Builder 130 (1926): 40-41, 43.
Gilbert, A. P. M. Description Historique De L'église Métropolitaine De Notre-Dame De Reims. Nouv. éd., ed. Reims,: Robinet, 1825.
Goodyear, W. H. The Widening Refinement in Rheims Cathedral. London: privately printed, 1907.
Gourlay, Charles. "Reims Cathedral : The Coronation Church of France." Architect and contract reporter 81 (1909): 21-24.
Greber, Jacques. "What Shall Be Done to the Cathedral of Reims." American Institute of Architects Journal 7 (1919): 315-24.
Hamann-Mac Lean, Richard, and Ise Schüssler. Die Kathedrale Von Reims. Stuttgart: Steiner, 1993.
Hamann-Maclean, Richard. "Die Kathedrale Von Reims. Bildwelt Und Stilbildung." Marburger Jahrbuch für Kunstwissenschaft, no. XX (1981): 21-54.
Hastings, Charles S. "Architectural Refinements in Medieval Churches Computed : Illus. Of Nave of the Church of Ouen Rouen : Nave of Reims Cathedral." Architectural record 26 (1909): 135.
Hedouville, Michel de. "L'aménagement De La Cathédrale De Soissons." In Cathédrales : Liturgie Et Patrimoine : Actes Du Colloque De Reims 3, 4 Et 5 Juin 1994, 1994.
Herriot, Edouard. À La Cathédrale De Reims. Abbeville, France: Impr. F. Paillart, 1927.
Hinkle, William M., and College Art Association of America. The Portal of the Saints of Reims Cathedral; a Study in Mediaeval Iconography. New York: College Art Association of America in conjunction with the Art bulletin, 1965.
Holbrook, Sabra. Joy in Stone; the Cathedral of Reims. New York,: Farrar Straus and Giroux, 1973.
Hollande, Maurice. La Cathédrale De Reims. Paris: Librairie Bloud
Hulin, Bernard. "L'exemple De La Cathédrale De Coutances." In Cathédrales: liturgie et patrimoine: actes du colloque de Reims 1994, pp. 153-55. Reims: Desclée, 1998.
Jadart, Henri. "Le Bourdon De Notre-Dame De Reims." Bulletin Monumental 50: 215-36.
Jantzen, Hans. High Gothic; the Classic Cathedrals of Chartres, Reims, Amiens. New York: Minerva Press, 1962.
Jantzen, Hans, and Hans-Joachim Kunst. Kunst Der Gotik : Klassische Kathedralen Frankreichs--Chartres, Reims, Amiens. Neuausgabe, erweitert und kommentiert durch ein Nachwort ed. Berlin: D. Reimer, 1957.
Jantzen, Hans, Hans-Joachim Kunst, and postf. Kunst Der Gotik: Berlin : Reimer, 1987.
Jay, Marcel. Petit Guide Mémento De La Cathédrale De Reims, Premier Sancturaire De France Consacré À Marie, Mère De Dieu, En 401, Par L'évêque Saint Nicase, Martyr. Reims,: L'Alliance catholique, 1949.
Korchia, Robert, and Palais du Tau (Museum). Rebâtir Reims : La Collection Photographique Henri Deneux, 1870-1938. Paris: Ministère de la Culture et de la Communication, 1988.
Kunst, Hans-Joachim. "Freiheit Und Zitat in Der Architektur Des 13. Jahrhunderts--Die Kathedrale Von Reims." Bauwerk und Bildwerk im Hochmittelalter: anschauliche Beiträge zur Kultur- und Sozialgeschichte (1981): 87-102.
Kunst, Hans-Joachim, and Wolfgang Schenkluhn. Die Kathedrale in Reims : Architektur Als Schauplatz Politischer Bedeutungen. Frankfurt am Main: Fischer Taschenbuch, 1987.
Kurmann, Peter. La Façade De La Cathédrale De Reims : Architecture Et Sculpture Des Portails : Étude Archéologique Et Stylistique. Paris
Lausanne: Editions du Centre national de la recherche scientifique ;
Payot, 1987.
-- -- -- . "Mobilités Des Artistes Ou Mobilité Des Modèles?" Revue de l'Art, no. 120 (1998): 23-34.
-- -- -- . "Et Angeli Tui Custodiant Muros Eius : Un Cycle De Statues Méconnu Au Transept Sud De Notre-Dame De Rouen : Modèle Ou Reflet Du Cortège Des Anges De Reims?" In Tout Le Temps De Veneour Est Sanz Oyseuseté : Mélanges Offerts À Yves Christe Pour Son 65e Anniversaire Par Ses Amis, Ses Collègues, Ses Élèves, edited by Christine HEDIGER, ed, p. 113-24;. Turnhout: Brepols, 2005.
Kurmann, Peter, and Alain Villes. Reims, La Cathédrale Notre-Dame. Paris: Monum : Editions du Patrimoine, 2001.
Kurmann-Schwarz, Brigitte, Madeline Harrison Sumptuous arts at the royal abbeys in Reims Caviness, and varietate stupendes Braine : ornatus elegantiae. "Sumptuous Arts at the Royal Abbeys in Reims and Braine." Kunstchronik 45, no. 7, July (1992): 306, 11-16.
Lambert, Elie. "La Construction De La Cathédrale De Reims Au Xiie Siècle." Gazette des beaux-arts 57 (1961): 217-28.
Lambourne, Nicola. "Production Versus Destruction: Art, World War I and Art History." Art History 22 (1999): 347-63.
Landrieux, Maurice. La Cathédrale De Reims; Un Crime Allemand. Paris,: Renouard H. Laurens, 1919.
Landrieux, Maurice, and Ernest E. Williams. The Cathedral of Reims; the Story of a German Crime. London,
New York,: K. Paul Trench Trubner
Lauzanne, Stephane. "The Glory That Was France : Interior of Rheims Cathedral : The Industrial Quarter and the Cathedral." New country life 34 (1918): 24-27.
Leblan. Portail De La Cathédrale De Reims; Sur Élévation Des Flèches. Reims,: Deligne, 1878.
Lefrançois-Pillion, Louise. Les Sculpteurs De Reims. Paris,: Rieder, 1928.
Lévis-Godechot, Nicole. Chartres : Révélée Par Sa Sculpture Et Ses Vitraux. Saint-Léger-Vauban, France: Zodiaque, 1987.
Lillich, Meredith Parsons. "The Stained-Glass Spolia in the South Transept of Reims Cathedral and Rèmois Ecclesiastical Seals." Gesta 46 (2007): 1-18.
Male, Émile. "La Cathédrale De Rheims (À Propos D'un Livre Récent)." Gazette des beaux-arts 3 (1921): 73-88.
Margotti, Giuseppe. "La Risorta Cattedrale Di Reims : Culla E Cuore Della Francia." Illustrazione vaticana 9 (1938): pt. 2, 626-32.
Mark, Robert, and Huang Yun-Sheng. "High Gothic Structural Development: The Pinnacles of Reims Cathedral." Science and technology in medieval society: 125-40.
Mary, L. Reims. Reims: L. Mary, 1984.
Mayor, J. Reims : La Cathédrale, La Vieille France. Paris: Editions d'art et d'histoire, 1915.
Moreau-Nélaton, Etienne. La Cathédrale De Reims. Paris,: Librairie centrale des beaux-arts, 1915.
Muller, J. L. H. Joyaux De Sculpture : Reims. Paris: La Balance, 1954.
Murray, Stephen. "The Gothic Façade Drawings in The "Rheims Palimpsest"." Gesta 17 (1978): 51-55.
Murray, S. "Bleuet and Anthoine Colas, Master Masons of Troyes Cathedral. Artistic Personality in Late Gothic Design." Journal of the Society of Architectural Historians Philadelphia, Pa 41 (1982): 7-14.
Mussat, A. "Les Cathédrales Dans Leurs Cités." Revue de l'Art Paris, no. 55 (1982): 9-22.
Naert, Dominique. Le Labyrinthe De La Cathédrale De Reims. Fontenay-sous-Bois: Sides, 1996.
Notre-Dame de Reims (Cathedral), and H. Jadart. Album De La Cathédrale De Reims. Reims,, 1899.
Paillard, E. M. Portail De Reims. Vitry-le-François,: Marne, 1936.
Pallot-Frossard, Isabelle. "La Restauration Des Lustres De La Cathédrale De Reims, 1998." Monumental (2000): 168-73.
Porret, Maurice. Notre-Dame De Reims. Paris: Hachette, 1958.
Povillon-Piérard, Étienne François Xavier. Description Historique De L'église Métropolitaine De Notre-Dame De Rheims. Rheims: Seure-Moreau, 1823.
Prache, A. "A Propos Des Voûtes De La Nef De La Cathédrale De Noyon." Bulletin Monumental 136 (1978): 73-77.
Prache, Anne. Reims : La Cathédrale Notre-Dame : Saint-Remi. La Pierre-qui-Vire: Zodiaque, 1984.
Ravaux, Jean Pierre. "Les Campagnes De Construction De La Cathédrale De Reims Au Xiiie Siècle." Bulletin Monumental CXXXVII, no. 1 (1979): 7-66.
Reinhardt, Hans. La Cathédrale De Reims; Son Histoire, Son Architecture, Sa Sculpture, Ses Vitraux. Paris,: Presses universitaires de France, 1963.
Roubier, Jean, and Emile Mâle. La Cathédrale De Reims, Charme De La France ; 14. Paris,: M.-J. Challamel, 1953.
-- -- -- . La Cathédrale De Reims. Paris,: M.-J. Challamel, 1953.
Rutter, Frank. "Rheims Cathedral : Past and Present." Apollo 1 (1925): 351-55.
Sadler-Davis, Donna. "The Sculptural Program of the Verso of the West Façade of Reims Cathedral." 1984.
-- -- -- . "The Sculptural Program of the Verso of the West Façade of Reims Cathedral." PhD diss
Dissertation, Indiana University, 1984.
Salet, François. "Chronologie De La Cathédrale De Reims." Bulletin Monumental 125, no. 4 (1967): 347-94.
Sandron, Dany. "Liège Et La France: Les Liens De S. Lambert Avec L'architecture De L'ancienne Province Ecclésiastique De Reims De La Fin Du Xiie Au Milieu Du Xiiie Siècle." In La cathédrale gothique S. Lambert à Liège : une église et son contexte; Liège,, edited by Benoit van den BOSSCHE, ed.; KUPPER, Jean-Louis, collab., OTTE, Marcel, pref.;. Université de Liège, 2007.
Sanfacon, Roland. "L'èvocation Des Grands Portails Des Cathèdrales De Reims Et D'amiens Dans Les Èglises Flamboyantes De Champagne Et De Picardie." In Pierre, Lumiëre, Couleur : Ètudes D'histoire De L'art Du Moyen Age En L'honneur D'anne Prache.
Sauerlander, Willibald. "Antiqui Et Moderni at Reims." Gesta (Fort Tryon Park, NY) 42 (2003): 19-37.
Schéfer, Gaston. "La Cathédrale." Arts 14, no. 162 (1917): 20-24.
Schommer, Pierre. "the Restoration of Reims Cathedral." Renaissance 10 (1927): 218-29.
-- -- -- . "La Restauration De La Cathédrale De Reims." Renaissance 10 (1927): 218-29.
Stern, Henri. "La Mosaïque De La Cathédrale De Reims." Cahiers archéologiques fin de l'antiquité et moyen Age 9 (1957): 147-54.
Tarbé, Prosper. Trésors Des Églises De Reims. Reims: Assy et Compagnie, 1843.
-- -- -- . Notre-Dame De Reims. 2nd ed. Reims: Quentin-Dailly, 1852.
Tourneur, Victor. Histoire Et Description Des Vitraux Et Des Statues De L'intérieur De La Cathédrale De Reims. Reims,: P. Regnier, 1857.
-- -- -- . Description Historique Et Archéologique De Nôtre-Dame De Reims. 6. éd., rev., corrigée, considérablement augm. ... ed. Reims,: Michaud, 1889.
-- -- -- . Description Historique Et Archéologique De Notre-Dame De Reims. 7. éd. ed. Reims,: F. Michaud, 1911.
Ullmann, Ernst. Die Welt Der Gotischen Kathedralen. Berlin: Union, 1982.
Verrier, Jean, and Francois Arnaud. "Problèmes De Statuaire À La Cathédrale De Reims." Monuments historiques de la France 1 (1955): 65-80.
Vitry, Paul. La Cathédrale De Reims; Architecture Et Sculpture. Introduction
Wadley, William Bert "The Reims Masks: A Reconstruction, Stylistic Analysis, and Chronology of the Corbel Sculptures on the Upper Stories of Reims Cathedral." PhD diss
Dissertation, University of Texas, 1984.
Warren, Whitney, and Académie des beaux-arts (France). Etat De La Cathédrale De Reims Après Le Bombardement Par Les Allemands. Paris,: Typ. de Firmin-Didot et Cie, 1914.
Wolff, Arnold. "Die Vollkommene Kathedrale." In Dombau Und Theologie Im Mittelalterlichen KAln : Festschrift Zur 750-Jahrfeier Der Grundsteinlegung Des Kolner Domes Unde Zum 65 Geburtstag Von Joachim Kardinal Meisner 1998.
Wörsching, Joseph. Die Grosse Orgel Der Kathedrale Zu Reims. Mainz,: Rheingold-Verlag, 1946.
Wu, Nancy Y. Ad Quadratum : The Practical Application of Geometry in Medieval Architecture, Avista Studies in the History of Medieval Technology, Science and Art;. Aldershot: Ashgate, 2002.