Mapping Mesopotamian Monuments presents a topographical survey of the standing historical monuments and architecture in the region from Iraqi Kurdistan and Southeastern Anatolia (Turkey), to Southern Iraq. A work in progress, this monument survey covers all historical periods from ancient to modern. It includes ancient Mesopotamian rock reliefs carved into the cliff faces of the mountains, early Christian churches and monasteries, early Islamic, Ottoman and twentieth century architecture and monuments. This database of images invites you to explore the multiple layers of the rich historical landscape of Mesopotamia. Envisioned and directed by Professor Zainab Bahrani, the basis of the survey is an on-going field project that assesses the condition of monuments, maps their locations and records them with digital techniques in order to provide a record and to facilitate future preservation work across this region.
The project began in 2012 and has been supported by a grant from the Columbia University President's Global Innovation Fund.
'Amadiya Citadel - View of the Citadel from the South
Prof. Bahrani is the Edith Porada Professor of Art History and Archaeology at Columbia University.
Helen Malko is an Associate Research Scholar in the Department of Art History and Archaeology and a postdoctoral fellow at the Italian Academy, Columbia University. She holds a Ph.D. in archaeology and anthropology from Stony Brook University, and a Master’s degree in archaeology of the Ancient Near East from Baghdad University. She holds a diploma in Historic Preservation from Rutgers University. Her current research is focused on the ongoing deliberate destruction of monuments and historical landscapes in Iraq and Syria, and the related changes in the rhetoric of heritage studies and archaeological ethics that have accompanied this destruction.
Serdar Yalcin is currently a Core Lecturer at Columbia University, where he received his Ph.D. in Art History and Archaeology in 2014. His research interests include art and archaeology of the Ancient Near East with emphasis on Mesopotamia and Anatolia, identity and material culture, and interconnections in the ancient eastern Mediterranean. From 2014 to 2016, Dr. Yalcin was a postdoctoral teaching fellow at Parsons School of Design in New York. In addition to his work for the Mapping Mesopotamian Monuments Project, Dr. Yalcin is an active member of the Tarsus-Gözlükule Project since 2003, participating in both the excavations and the analysis of the excavated archaeological material.
Gabriel Rodriguez is the Digital Curator at the Media Center for Art History, Columbia University.
Türkan Pilavcı is a Ph.D. candidate at Columbia University, Art History and Archaeology Department, specializing on the art and archaeology of the Near East. She is currently writing her dissertation on the cult practices and ritual paraphernalia of the Hittite period Anatolia. Türkan received her B.A. in Political Science and History from Boğazici University, Istanbul and completed her M.A. in the Archaeology of the Eastern Mediterranean in K.U. Leuven. Having participated in numerous archaeological projects, since 2007 she has been a part of the Tarsus-Gözlükule Excavation and Research Project, Turkey.
Haider Oraibi Almamori received his M.A. and Ph.D. Degrees in Archaeology from Kokushikan University in Japan. He has been an archaeologist with the State Board of Antiquities and Heritage in Babylon since 1999 and is currently the Director of the Umm al Agarib excavations in Iraq.
Yasmin al-Asadi is a Lecturer in the College of Archaeology at Mosul University, Iraq. She holds a Ph.D. in art and archaeology of the Ancient Near East from Mosul University and a Master’s degree in archaeology from Baghdad University. Her research is focused on Mesopotamian art and archaeology especially during the Neo-Assyrian period. Yasmin has published several books and articles on various aspects of Mesopotamian art, and has taught various classes and supervised students at Mosul University since 2005.
Media Center for Art History, Department of Art History and Archaeology, Columbia University.
Sarah Fey, Graphic Designer
Dr. Helen Malko